MATA Festival

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Tuesday, April 1, 2008 | 8:00pmThe Brooklyn Lyceum
Alejandro Rutty The Conscious Sleepwalker Loops (2007)*
Derek Hurst Clades (2007)*
Ken Ueno On a Sufficient Condition for the Existence of Most Specific Hypothesis (2008)*
Ken Ueno, overtone singer
Lisa Bielawa Double Violin Concerto (2008)*

*World Premiere

Gil Rose, conductor

News and Press

[Concert Review] With Orchestral Offerings, Festival Passes a Milestone
The MATA Festival is celebrating its 10th season, partly by showing off how far it has come since its early days as Music at the Anthology, a new-music series resident at the Anthology Film Archives. Since the Anthology days the festival has traveled a circuit of churches and small halls, but for the last couple of years it has been ensconced at the Brooklyn Lyceum, an old public bath converted into a concert hall.
The New York Times Full review
[Concert Review] Star Quality
In the Times, Allan Kozinn provided a typically sagacious and deftly written account of the first major concert of the MATA—Young Composers Now! series at the Brooklyn Lyceum (on April 1). The concert closed with the New York premiere of Lisa Bielawa's Double Violin Concerto, which was played with saintly elegance by Carla Kihlstedt and Colin Jacobsen, backed by Gil Rose and the excellent Boston Modern Orchestra Project.
The New Yorker, Goings On Blog Full review
[Concert Review] Five Things About BMOP @ MATA
I caught the Boston Modern Orchestra Project (BMOP) at the MATA Festival Tuesday night in Brooklyn. 1. Gil Rose and BMOP played a varied concert with conviction and panache Tuesday night. While there were wonderful soloists on the program, the ensemble really held the spotlight the entire night in the best possible sense - always blending well and making the most of lines, accompaniment and ensemble.
Sequenza21 Full review